Posts Tagged: Capri-Battery

Fabrication and Disintegration in Contemporary Art

This week’s contributing writer, Nina Quabeck, worked as a conservator at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf from 2003 till 2015 before embarking on her doctoral research as part of NACCA (New Approaches in the Conservation of Contemporary Art), a Marie Skłodowska-Curie Innovative Training Network funded  by the European Union H2020 Programme. She is based at the University of Glasgow,… Read more »

NACCA at the Tate

NACCA Tate VoCA contemporary art

This week’s contributing blogger, Ana Ribeiro, is a Time-Based Media (TBM) conservator at Tate. She studied conservation and restoration in Lisbon (Faculdade de Ciencias e Tecnologia, Universidade Nova de Lisboa) and her MA thesis was about issues in the presentation of time-based media works. Ana trained in media art conservation at the S.M.A.K., LiMA, and… Read more »