Fabrication and Disintegration in Contemporary Art
This week’s contributing writer, Nina Quabeck, worked as a conservator at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf from 2003 till 2015 before embarking on her doctoral research as part of NACCA (New Approaches in the Conservation of Contemporary Art), a Marie Skłodowska-Curie Innovative Training Network funded by the European Union H2020 Programme. She is based at the University of Glasgow,… Read more »
