Posts Tagged: NACCA

Fabrication and Disintegration in Contemporary Art

This week’s contributing writer, Nina Quabeck, worked as a conservator at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf from 2003 till 2015 before embarking on her doctoral research as part of NACCA (New Approaches in the Conservation of Contemporary Art), a Marie Skłodowska-Curie Innovative Training Network funded  by the European Union H2020 Programme. She is based at the University of Glasgow,… Read more »

NACCA at the Tate

NACCA Tate VoCA contemporary art

This week’s contributing blogger, Ana Ribeiro, is a Time-Based Media (TBM) conservator at Tate. She studied conservation and restoration in Lisbon (Faculdade de Ciencias e Tecnologia, Universidade Nova de Lisboa) and her MA thesis was about issues in the presentation of time-based media works. Ana trained in media art conservation at the S.M.A.K., LiMA, and… Read more »

2016 IIC Conference

This week’s contributing blogger, Marta Garcia Celma, is a conservator of photographic materials and a PhD candidate with The Marie Skłodowska-Curie Innovative Training Network NACCA (New Approaches in the Conservation of Contemporary Art) funded by the European Union H2020 Programme. She is based at Cologne Institute of Conservation Sciences, Germany, researching authenticity and reproducibility on… Read more »

Concepts or Contexts?

VoCA Voices in Contemporary Art nyc

Caitlin Spangler-Bickell is a Marie Skłodowska-Curie Fellow with the Innovative Training Network NACCA (New Approaches in the Conservation of Contemporary Art) funded by the European Union. She is a PhD candidate with Maastricht University and is based at Museo delle Culture in Milan. Caitlin holds an MSc in Anthropology from KU Leuven, and her current… Read more »